What happens when you realize that your idol isn’t perfect? Or, when you recognize her flaws in yourself? Inspired by these questions, Shannon Dooling created Like a Unicorn in Captivity, a response to and an interpretation of the work of writer and aviator Anne Morrow Lindbergh. The piece incorporates multimedia, spoken word and movement in an exploration of celebrity, hero-worship, identity, relationship, ambition, creativity and duty.
In Graham Brown’s Apple Falling, the lives of seven individuals intersect as they each interact with their familial histories, musing over the stories and characters that have, over the generations, helped shape who they are and who they will become. Can we control how far the apple falls from the tree?
This concert features provocative choreography by first- and second-year Master of Fine Arts students in Dance, focusing on new works in development.
As the first opportunity for them to put material onstage and see what develops, it often contains the seeds of movement ideas that will be featured in their MFA Thesis programs — an unguarded exploration of their talents and interests.
The Shanghai Quartet melds the delicacy of Eastern music with the emotional breadth of Western repertoire, allowing it to traverse musical genres from masterpieces of Western music to cutting-edge contemporary works.
Their program at the Center will include Schubert’s Quartettsatz, Bartok’s Quartet #4, Beethoven’s String Quartet No. 15 in A Minor, Op. 132 and selections from ChinaSong, a suite of Chinese folk songs arranged for string quartet by the Shanghai Quartet’s violinist Yi-Wen Jiang.
In the world of science, the moment of discovery is usually very inauspicious. That discovery can be shared when meaning is attached to it and it is contextualized with evidence.
What happens in the world of artistic creation? Is the process different or more similar than we might imagine?
Our panelists represent innovative thinking in both science and the arts, and all of them have explored the multiple ways in which the two worlds intersect.
Café Variations weaves longing, lust, lost love, found love and budding romantic adventure through dance, music and theatre within the social arena where anything can happen: a café.
This new theatre piece based on short plays by Charles Mee features Gershwin songs from The Great American Songbook — familiar tunes that evoke a time, place and way of life.
The SFJAZZ Collective, an all-star ensemble of leading jazz performers/composers, will be in residency for a week at the Center, rehearsing and preparing for this new program.
The Music of Chick Corea and New Compositions, which will receive its world premiere here on October 12, will include eight new arrangements of Corea works as well as eight new compositions by Collective members, commissioned by SFJAZZ.
Eckert’s musical adventure follows Nathan, a piano tuner and composer who is losing his mind and his memory.
In Nathan’s mad quest to finish his final opus, an opera based on Herman Melville’s Moby-Dick, he has left himself tape-recorded instructions and visual aids to help jar his memory. He also relies on his imaginary muse, Olivia, for inspiration and advice.
As Nathan strives to create one last grand work before his mind dies, he and Olivia take on the roles of Ishmael, Queequeg, Starbuck, Captain Ahab and others.
PostClassical Ensemble, now in its ninth season, is an experimental musical laboratory testing the limits of orchestral programming. Their concerts regularly incorporate popular music, folk music, vernacular music and more, combining the music itself with insights into the people and the times that produced it.
Artistic Director Joseph Horowitz has done extensive research into Dvořák and his body of work, resulting in a book, an educational project about America in Dvořák’s time and this program.
In the 1950s, Martha Graham dubbed Paul Taylor the “naughty boy” of dance and he has been shaking things up ever since. His company has toured worldwide, selling out large-scale houses like the Eisenhower Theatre at the Kennedy Center, the Koch Theatre at Lincoln Center, the Paris Opera House and many others. As the opening night of our 2012-2013 season, our audience will have the opportunity to see this groundbreaking modern dance company up close when his dancers give a one-night-only performance in the Center’s intimate Kay Theatre.
