Workshop with Cappella Pratensis: Singing from a Renaissance Choirbook

The vocal ensemble Cappella Pratensis (the chapel of singers of the prairie, from Judocus Pratensis or Josquin des Prez or Josquin from the prairie), founded in 1987, sings Franco-Flemish music from the period between 1450 and 1600. During that time, composers such as Josquin Desprez, Jean Mouton, Pierre de La Rue, Jacob Clemens non Papa, Johannes Ockeghem and Guillaume Du Fay dominated the musical landscape of much of Europe. Cappella presents ongoing special programs and original designs, singing in churches and chapels around the world.

Irmgard Bartenieff: a Symposium

The multi-talented Irmgard Bartenieff was a German-born dancer, choreographer, teacher, Labanotator, dance therapist, physical therapist, dance historian, dance ethnographer and activist.

Of her work, cultural Anthropologist Margaret Mead once said it “is of the very greatest importance in research on mother-infant relationships, the social behavior of primitive people, choreometric styles around the world, work with psychiatric patients, and studies of animal behavior.”

Audition for the 35th Annual Choreographers Showcase

Auditions for the 35th Annual Choreographers Showcase are now open to all dance-makers, aged 18 years and older, who live in Maryland, Virginia or the District of Columbia. Live auditions will be adjudicated by expert panelists, Nelly van Bommel and Nejla Y. Yatkin. Six finalists will be selected to present their work in concert on Saturday, January 27, 2018, at 3 and 8 PM.

Big 10 New Play Reading: Twilight Bowl

UMD has partnered with the Big Ten Conference schools to create a new playwriting and performance initiative. Known as the Big Ten Theatre Consortium, the group is commissioning a series of plays by outstanding American female playwrights. The purpose of the initiative is to promote the writing and production of new works about women by professional and academic theatres around the country.

The program's third commissioned work, Twilight Bowl, is written by Rebecca Gilman. 

The Joy of Crafting

Here's a sustainable way to explore your creativity and connection to nature! Get your hands dirty and create something with reused craft materials while watching classic episodes of The Joy of Painting, which celebrated nature's beauty through art. With Bob Ross' soothing voice and beautifully painted landscapes as a guide, craft as you meditate on how your relationship with nature and the environment.

This event is part of NextNOW Fest 2017

Shilo Shiv Suleman: Pulse & Bloom

Pulse and Bloom is an interactive and social art installation that visualizes participants’ heartbeats and invites people to share and sync their human heartbeats in a rhythmic pattern. When a participant places their hand upon the pulse sensor, the stem and the flower in the sky start to beat with their heart. When more than one person places a hand upon the pulse sensor, the stem starts to pulse with both participants’ heartbeats, making it possible to watch how heart rates of different people in intimate spaces start to beat in sync, much like fireflies flashing in patterns.

Irmgard Bartenieff: A Personal Journey Through Dance

Dancer/choreographer/physical therapist/researcher Irmgard Bartenieff pioneered a new way of observing movement – and its effects on dance and healing. The Bartenieff Fundamentals are still foundational in training today. She was also a noted student of Rudolph Laban. This exhibit features archival items from her career, and interactive exhibits that explore some of the theories used in her research.

This event is part of NextNOW Fest 2017 

Charles Jean Pierre: Black (w)Holes

Communities of color have long experienced the effects of figurative black holes. From brain drain to microeconomic depression, communities have faced the realities of intensely powerful gravitational fields. Created by D.C.-based artist Charles Jean-Pierre, Black (w)Holes reverses this dynamic: a figurative portal to an alternative meditative reality. It illustrates how black holes cannot only shift reality, but shift modes of thinking and functioning within the material world in ways that affirm community and imagine more sustainable futures.

Pages

Subscribe to The Clarice Smith Performing Arts Center RSS