I’m currently a sophomore theatre performance major here at UMD, and I didn’t hear about Am I Black Enough Yet? until last semester when I learned that the theatre department was doing the show. I wanted to learn more about it because it sounded interesting — but more so, after reading the script, I knew I wanted to audition for it, because it addressed many questions I’ve had in my own life.

The script addressed many questions I’ve had in my own life.

Daniel Phoenix Singh — who earned his BA and MFA in Dance from UMD — returns with his company, Dakshina, to remount four works by one of the most dynamic and uncompromising figures in American modern dance, Anna Sokolow.

Recently Singh shared his thoughts with us on returning to his alma mater, working with Lorry May and Sokolow’s influence on the modern dance world.

Choreographer Liz Lerman and physicist Bill Dorland sat down together in the Dance Exchange studio in July for a wide-ranging conversation about our season opener, The Matter of Origins (Sept. 10 & 12) — where the project has taken them, what new ideas it has revealed and how it has affected their thinking about their own fields.

This fall the Post-Classical Ensemble brings The Gershwin Project: Russian Gershwin to the Clarice Smith Center on September 24. Featuring Russian pianists Genadi Zagor and Vakhtang Kodanashvili, the program focuses on four pieces by the iconic American composer that straddle the worlds of classical, pop, jazz and folk music — Rhapsody in Blue, Three Preludes, Concerto in F and Cuban Overture.