The UMD Symphony Orchestra opens its season with Nicholas Montopoli, winner of the 2011 UMSO Concerto Competition, performing Ravel’s exotic and colorful violin showpiece Tzigane.
The program also includes Lutoslawski’s Symphonic Variations, Barber’s 1st Essay and Rachmaninoff’s 2nd Symphony.
The program includes Albinoni’s Concerto for 2 Oboes, Op. 9, No. 9, Strauss’s Till Eulenspiegel; Moravec’s Brandenburg Gate; and Mendelssohn’s Symphony No. 3 (Scottish).
These four works — Albinoni’s sprightly Baroque piece, Strauss’s tone poem, Moravec’s contemporary work influenced by Bach and Mendelssohn’s expansive, emotional symphony — offer audiences a rich selection of orchestral styles.
Faculty artist Mayron Tsong plays Brahms’s Piano Concerto No. 1.
Also on the program: Debussy’s Nuages and Fêtes from Nocturnes and Shostakovich’s Symphony No. 1.
UMSO performs Britten’s Les Illuminations, with lighting and stage design by Doug Fitch.
Renowned for his multimedia spectacles in symphonic and opera productions — including work with the New York Philharmonic, Santa Fe Opera and Tanglewood — Fitch previously collaborated with UMSO conductor James Ross on UMSO’s 2008 presentation of Petrushka.
The Britten also features new School of Music voice faculty member, tenor Gran Wilson. Mahler’s towering Symphony No. 7 fills the second half.
The UMD Concert Choir and the UMD Symphony Orchestra perform a concert of music anchored by Verdi and Stravinsky, including Te Deum (Verdi) and The Firebird Suite (1945) (Stravinsky).
Also included in the program will be Ives’s Three Places in New England and General Booth Enters Heaven, as well as John Adams’s Son of Chamber Symphony.
Usually positioned at the back of the orchestra, the percussion section moves center stage to reveal the colorful, melodic potential of their instruments in this striking concert of contemporary music.
The UMD Women’s Chorus and the UMD Men’s Chorus explore repertoire spanning several eras, genres and styles, including a recent work by contemporary Norwegian-American choral composer Ola Gjeilo.
Students and faculty join together for a performance of Bach’s Magnificat, also known as the Song of Mary or Canticle of Mary. Bach first composed a version for Christmas in 1723 and then reworked that music ten years later for the Feast of the Visitation. The Latin text is the canticle of Mary, mother of Jesus, as told in the Gospel of Luke.
What many regard as the greatest and most challenging a cappella choral work of the last one hundred years, Francis Poulenc’s Figure Humaine, is the major work of this program, which also features music by Marcel Duruflé and Olivier Messiaen.
Swing with the UMD jazz combos as they play beloved standards and new tunes arranged by UMD jazz students.
