Big Band Pre-Halloween Scream
A “spirited” evening of spine-tingling performances by the UMD Jazz Ensemble, UMD Jazz Lab Band and University Jazz Band is the hallmark of this annual favorite.
Things will go bump in the night!
A “spirited” evening of spine-tingling performances by the UMD Jazz Ensemble, UMD Jazz Lab Band and University Jazz Band is the hallmark of this annual favorite.
Things will go bump in the night!
Fusing music from various genres can be a tricky feat that can result in guff.
Join us in a lively conversation with Guggenheim and MacArthur Fellow Miguel Zenón of SFJAZZ Collective on his recently released jazz album, Alma Adentro: The Puerto Rican Songbook.
In the Red and Brown Water, the first work in Tarell Alvin McCraney’s The Brother/Sister Plays trilogy, draws on folk tales, Yoruba mythology and contemporary poets and playwrights to tell a coming-of-age story set in a Louisiana bayou housing project.
The main character, Oya, is a teenage sprinter looking for a way out of her limited circumstances. McCraney’s spare, muscular language and inventive approach elevates Oya’s ordinary life — and the lives of those around her — into a semi-mythic story of universally shared human experience.
In the final round of the annual competition, students compete for the opportunity to perform as soloists with the UMD Symphony Orchestra.
Finalists perform 15- to 20-minute excerpts of a concerto or concert piece for an independent jury panel.
the jury’s deliberation, a winner, runner-up and second runner-up will be announced.
New works, as well as breathing new life into music, give young instrumentalists and singers the opportunity to learn from living composers, collaborate with them and gain insight into the compositional process.
This concert features original works by UMD student composers, including solo, chamber and electroacoustic performances.
In this illustrated presentation, Professor Huang explores the unique challenges and rewards of touring Shakespeare productions, drawing on several cases of Asian adaptations at the World Shakespeare Festival at the London Globe during the London Olympics in summer 2012.
I work in a field where I don’t really know what field I work in. And I’m okay with that. I’m fascinated by work that challenges my ideas and my preconceived notions, things that really take me out of a comfort zone. I’m okay with just being an artist. It allows me to jump from place to place to place to place to place, or from content to content, without having to categorize what kind of response people should have to what it is that I do.
Hearing Kronos Quartet really made me rethink what music is.
It was 1964 and, as a young professor at Howard University in the Department of Art, I had a grant to travel to Europe. It was my first visit to Europe; I started out in Greece. And I wanted to recount some of my classical education, specifically Greek theater, so I went to the amphitheater at the base of the Acropolis to see a performance of The Birds by Aristophanes.
…the arts are universal. They move beyond barriers…
I love the moment where you see something happen on stage, or backstage, when the person gets it, when it clicks. Moments like that happen all the time at the Clarice Smith Center.
I get to watch students have those ‘aha’ moments and I see all the work that has gone into it…
In 1995 my dear friend and mentor took me to see the Off-Broadway production of Bring in ’da Noise, Bring in ’da Funk. It was early in my career as a professional dramaturg and my mentor thought this much-touted piece would help me gain a greater understanding of the possibilities of devised theatre.
This total merging of the sensory and the cerebral helped me realize, fully, the power of performance…