February 22, 2012
By Dave Eberhardt

This blog was submitted through our Share Your Story webpage by Dave Eberhardt. Aside from some light edits, we present his story as it was provided to us.

The Fortune’s Bones project and Ms. Barnwell’s work looks impressive. As a member of CORE (vice chair) in Baltimore in the 60s and later a peace protester imprisoned for an anti-war protest, I can identify — I hate it when these things get co-opted — as we used to say — by any power structure, which hopefully it won’t be.

By Robert Lee Wolfe III

When most people think of chamber music, they think of talented musicians playing complex classical pieces that haven't changed in hundreds of years. Such an arrangement is not the sort that typically encourages innovation within the field of music. One may thus find oneself appropriately skeptical of a chamber music performance that generates hype. By the same argument, one finds oneself appropriately refreshed when the hype is entirely warranted.

By Sarah Houge

When I read the description for Joel Dresher's performance, it said something about "handmade instruments." Is it bad that I immediately thought he was going to play tissue-box guitars and paper-towel roll flutes?

By Peter Liu

On the evening of February 4th, I braved the cold weather to attend the Margaret Jenkins Dance Company's second showing of their East Coast premiere of Light Moves at the Clarice Smith Performing Arts Center. The audience had the pleasure of hearing Margaret Jenkins herself speak before the show. She exclaimed that this would be the third time her company performed at the Clarice Smith Performing Arts Center, and that her company had started working on the Light Moves project over a year ago. She explained that the show was inspired by the element of inquiry and tried to answer questions through dance.

By Robert Lee Wolfe III

The one show I've made sure not to miss through my four years of undergraduate education has been the Choreographers' Showcase. Every year I have been impressed with the originality of the pieces and the pure talent of the dancers.