Blogs
American Moor
A play written and performed by Keith Hamilton Cobb
Presented by the Office of Diversity and Inclusion, in partnership with The Clarice
Tuesday, April 7, 2015 . 5PM
[Multi-purpose Room at Nyumburu Cultural Center
American Moor is a 90-minute solo play written and performed by Keith Hamilton Cobb. The play examines the experience and perspective of black men in America through the metaphor of William Shakespeare’s character, Othello. American Moor is not an “angry black man play,” but rather a play that addresses race in America, the nature of unadulterated love, privilege and American theatre.
UMD School of Theatre, Dance, and Performance Studies
Second Season Gives Theatre Students First-Hand Entrepreneural Theatre Experience
School of Theatre, Dance, and Performance Studies (TDPS) wanted a special kind of experience — one that replicates the entrepreneurial lifestyle of professional performing artists and provides them with the challenges and joys of creating and staging their own production.
The UMD School of Theatre, Dance, and Performance Studies (TDPS) carries forward its groundbreaking use of art to trigger dialogue and understanding about today’s pressing societal topics.
Known for boldly tackling race and gender equity, sexual violence and other important issues, TDPS announces a 2015–2016 season that follows in the same tradition.
This blog post is by Emily Schweich, junior broadcast journalism major.
Trigger warning: Rape
“We’re all good kids,” proclaims one character in Naomi Iizuka’s Good Kids, but what does that really mean? Good grades? A football scholarship? Not getting drunk? Can bad things happen to good kids? Can good kids do bad things?
Rape isn’t something that only happens in a “dark alleyway.” It’s not something that girls “ask for.” It’s not something that anyone deserves. And it’s not something that should hide behind a “wall of silence.”
This blog post is by Emily Schweich, junior broadcast journalism major.
The DeVos Institute of Arts Management at the University of Maryland welcomes a panel of African American and Latino performing arts icons for Legends in the Field on March 12. The first of three panels on diversity in the arts, Legends in the Field will explore stories of breaking boundaries in the arts.
“I hope that everyone – and students in particular – will find inspiration in the stories of these talented artists,” said DeVos Institute chairman Michael Kaiser.
This blog post is by Emily Schweich, junior broadcast journalism major.
Music and film collide at The Clarice with the School of Music’s first ever Music + Film Event, a celebration of new music and film heritage held February 19 and 20.
Nowadays in music, it’s so hard to get a job, so the more you diversify, the more you’re entrepreneurial, the better you’re going to have a chance at making a living with this.
Here's an update on what The Clarice is up to in February and March!
This blog post is by Emily Schweich, junior broadcast journalism major.
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The Lost World isn’t your typical coming-of-age play – unless your idea of a coming-of-age play includes a secret world of dinosaurs under the bed. I spoke with writer and director Jared Mezzocchi, an assistant professor in the School of Theatre, Dance, and Performance Studies design department, about his inspiration for the play and the multimedia aspects of the performance.
"I think the biggest challenge has really just been making sure that everybody is seeing the same thing in their head as we’re building it. It’s a really complex landscape, because it’s all kind of a memory play, set in the mind of our narrator, who’s telling the story."
This blog post is by Emily Schweich, junior broadcast journalism major.
Fun, quirky and genre-based – that’s the kind of theatre that inspires Jason Schlafstein.
He often saw it at the Capital Fringe Festival, but “it didn’t seem like year-round theatres were doing theatre that had that kind of spirit all year,” he said.
So Schlafstein, a University of Maryland School of Theatre, Dance, and Performance Studies (TDPS) alumnus who received his B.A. in Theatre Performance in 2008, joined with Colin Grube to found Flying V Theatre in 2010. The company was recently named the 2015 John Aniello Outstanding Emerging Theatre Company by theatreWashington and the Helen Hayes Awards.
The UMD family is a really strong one,” Schlafstein said. “I’ve never seen in this town a group of alumni who are so invested and supportive in working with one another.”
This blog post is by Emily Schweich, junior broadcast journalism major.
Analyzing musical text and preparing opera roles are big parts of the School of Music curriculum for vocalists, but it’s often hard for undergraduates to have the opportunity to put these skills to use.
That’s why School of Music students Daniel Hopkins and Carlos Howard decided to found OperaTerps, the University of Maryland’s first undergraduate opera company. Their first production, Purcell’s Dido and Aeneas, opens this Saturday at the Clarice Smith Performing Arts Center.
“Because it’s an independent project, we’re all really strongly invested in it…This is something we can say was totally our own.”