We're looking for extraordinary students!
Apply for our new student committee, the Maryland Students for the Arts:
- Share your creative instincts and insights.
- Advise us about important issues.
- Assist us in making programming decisions.
- Undergraduate and graduate students from all majors welcome!
Application deadline: Sunday, December 2, 2012 . 11PM
Last week, Kronos Quartet worked with three young composers from UMD School of Music. Now it's your turn!
You may have noticed mandolinist Chris Thile on a big banner in front of our building — he’ll be here on April 12, 2013, performing with pianist Brad Mehldau.
We’ve just gotten word that he received a 2012 MacArthur Foundation “genius grant.”
Congratulations, Chris! Can’t wait to hear you perform.
DAVID ROBINSON-SLEMP, Associate Director of Development, Clarice Smith Performing Arts Center
In 2009, I attended The Royal Ballet’s production of A Month in the Country by Sir Frederick Ashton. This was the first ballet that I had attended since childhood and one of the few I had ever attended willingly. The performance took place at the Kennedy Center only a day after a horrible Metro crash in D.C. that killed nine people and the company dedicated the performance to those who had died.
The dancers performed with incredible grace and finesse, as well as with “superhero-like” agility. I would later describe their synchronicity as almost transcending human ability.
SCOTT AUCOIN, BM Candidate in Composition and BME in Music Education, UMD School of Music
One of the most moving experiences I’ve ever had was hearing a recording of the Britten War Requiem. It was my sophomore or junior year, an informal assignment from my composition teacher. I don’t think he knew it would turn into this profound thing for me.
That experience changed my ideas about music and the way music can affect you.
CARMEN BALTHROP, Soprano, Professor of Voice, UMD School of Music
The most moving experience I’ve ever had actually didn’t happen on stage.
The story starts when I was eight years old. My father had a radio and television shop in the basement of our home where he would just tinker around with things, lots of machines that had lights, knobs and dials.
I think what happened in that instant was that I was awakened to the idea that singing — singing in that style — was something I could do.
DR. MAYRON TSONG, Associate Professor, Artist Teacher, Piano, UMD School of Music
Some years ago, I gave concert at an Arts College in Yunnan province, China. Because there was no heat and the concert was in December, it was terribly cold in the hall. My parents were with me and my mother insisted that I wear sweaters underneath my concert dress, so I looked quite huge, but at least I was warm enough, or so I hoped! My hands and fingers were cold and stiff and I feared the concert would not go well.
They were draped with blankets and they wore big coats, hats and gloves, yet the mood was good, even excited…They were all freezing but everyone stayed until the end of the concert.
LYNDSEY GORE, Production Coordinator, Clarice Smith Performing Arts Center
My friend Jill had worked with the International Children’s Festival at Wolf Trap for years, and after weeks of her hounding, I braved a sweltering September day for its final showcase. I marveled as young Hawaiians, South Koreans, Turks and Qataris boldly shared their cultures in joyful song and dance, seemingly unaware of the tumultuous relationships that their countries are known for. Beaming, I ran backstage to congratulate Jill’s team, just as the back door burst open with a gust of wind.
As I watched him walk away, I believed it too, and that belief fuels my chosen work to this day.
LIZ LERMAN, Choreographer
I was at a concert by the Merce Cunningham Dance Company at Brandeis University in 1968. One of the pieces they performed was “How to Pass, Fall, Kick and Run” with composer John Cage, Merce’s long-time collaborator, as part of the performance.
That was the moment I said “okay” to myself. It was beautiful, and possible.
RONIT EISENBACH, Architect + Artist, Associate Professor of Architecture, UMD School of Architecture, Planning and Preservation
When I was a young college student at the Rhode Island School of Design, there was a lecture by John Cage. I didn’t know who he was and I had no idea what to expect. I just remember him sitting at a table at the bottom of this great auditorium, which was completely filled with people, and he told us that because we were students who might become makers ourselves someday, he wanted to explain something he was going to do.
…I was zoning in and out, sometimes frustrated, sometimes bored. But every once in a while, a phrase made sense and stimulated my own thoughts.