Blogs

May 21, 2014 - 4:04PM -
Megan Pagado

You may have noticed that the URL in your browser is slightly different from what you're used to! We've updated our website URL and social media handles:

May 1, 2014 - 3:03PM -

This blog post is by Emily Schweich, a sophomore Broadcast Journalism major.

For college students looking for their first taste of opera, Die Fledermaus has it all. 

Die Fledermaus is a classic comedy, filled with mistaken and hidden identities, lovable pranksters and lots and lots of champagne.  With German arias and spoken dialogue in English, it’s quick, witty and engaging for the audience.

Katie Baughman was a standout as Adele, Eisenstein’s chambermaid, who sneaks off to the party and pretends to be a distinguished lady. In “Mein Herr Marquis, ein Mann wie Sie,” she runs into Eisenstein at the party and mocks him for thinking she is his chambermaid. Her voice is agile, resonant and sparkly, perfect for Strauss.

April 30, 2014 - 3:03PM -
Missy McTamney

Spring Awakening

Experience the ingenious work of UMD's School of Theatre, Dance, and Performance Studies (TDPS) Masters in Fine Arts Design students as they display their theatrical creativity in costume, lighting and scenic design.

These talented students are part of a degree program in which they work with an award-winning faculty of professional designers and intern at professional theatres in Washington, Baltimore and New York.

April 28, 2014 - 12:12PM -
Megan Pagado

​By Emily Schweich, a sophomore Broadcast Journalism major

Combat Paper Project

April 24, 2014 - 9:09AM -
Missy McTamney

The University of Maryland Chamber Singers are one of only twenty choirs in the world that has been chosen to participate in the 10th World Symposium on Choral Music, held this August in Seoul, South Korea.

April 23, 2014 - 4:04PM -
Missy McTamney

Craig Kier

Craig Kier
 

The UMD School of Music is pleased to announce that Craig Kier, Associate Conductor and Assistant Chorus Master with the Houston Grand Opera has been appointed Director of the Maryland Opera Studio (MOS). He will join the faculty in Fall of 2014.

April 22, 2014 - 4:04PM -
Lauren Burns

Helen Hayes Award Recipients

James Gardiner; Mitchell Hébert; Brian MacDevitt; Aaron Posner; Pointless Theatre Company
 

Congratulations to the University of Maryland's School of Theatre, Dance, and Performance Studies Professors, Part-time Instructional faculty and Alumni for their well earned 30th Annual Helen Hayes Awards!

April 16, 2014 - 12:12PM -
Lauren Burns

Robert DiLutis, Sharon Mansur and Linda Mabbs

Robert DiLutis photo courtesy of UMD School of Music; Sharon Mansur and Linda Mabbs photos by Mike Ciesielski
 

Robert DiLutis and Linda Mabbs from the School of Music and Sharon Mansur of the School of Theatre, Dance, and Performance Studies were recently selected by the Maryland State Arts Council to be recipients of a 2014 Individual Artist Award (IIA).

April 8, 2014 - 4:04PM -
Lauren Burns

Stephanie Miracle

Stephanie Miracle
 

MFA Stephanie Miracle has been selected as Fulbright Fellow to Germany for 2014/2015. With this research grant she will experience the rich lineage of German Tanztheater — including the work of dance icon Pina Bausch — through embodied practice, including intensive training in choreography and performance at the world-renowned Folkwang University in Essen. Both Stephanie and her husband Jimmy Miracle look forward to this exciting year overseas.

April 7, 2014 - 3:03PM -
Megan Pagado

This post is by Lisa Driscoll, a Junior Vocal Performance and Broadcast Journalism double major. You can read more of her writing on her blog.

Somi

Somi
 

The clink of wine glasses and choruses of muffled chatter echoed throughout the Kogod Theatre as audience members mingled. Multi-colored lights revealed a stage bedecked with instruments and a single microphone waited patiently, front and center.

All the clinking and chattering was stifled when Somi began to sing into that microphone, filling the room with the richness of her voice.

As a music major and vocalist, I walked away from the performance feeling inspired to allow experiences to be more of the lifeline for the music I perform.

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