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SOM Alumnus Leads United States Marine Band

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Jason Fettig photo courtesy of the United States Marine Band
 

The University of Maryland School of Music is proud to announce that alumnus Lieutenant Colonel Jason K. Fettig will be appointed the 28th director of “The President’s Own” United States Marine Band. A change of command ceremony was held July 12 at the Rachel M. Schlesinger Center in Alexandria, Va.

“It is an incredible privilege to be afforded the rare opportunity to stand in the shoes of the great musicians who have led this special and historic organization over the past 216 years,” said Fettig. “I am excited to continue to diversify and expand the presence of Marine Band in the artistic and educational communities, both at home and abroad.”

UMD Celebrates Newly-Renovated Dance Place with Site-Specific Performance

Sharon Mansur & Nick Bryson

Sharon Mansur photo by Zachary Z. Handler; Nick Bryson photo by Connor Buckley
 

Audience members will explore the newly-renovated Dance Place with INSERT [ ] HERE, a site-specific contemporary dance event featuring three performers from the University of Maryland community. The performance features TDPS alumna Erin Crawley-Woods (MFA Dance ’14) and current student Lynne Price (MFA Dance Candidate), as well as senior violin performance major Alexa Cantalupo, who will provide live music. Costumes were designed by Aryna Petrashenko (MFA Costume Design ’14) and Stephanie Miracle (MFA Dance ’14) and stage management was by Annie Choudhury (BA Theater ’09).

A Classic Comedy With A Batty Twist

This blog post is by Emily Schweich, a sophomore Broadcast Journalism major.

For college students looking for their first taste of opera, Die Fledermaus has it all. 

Die Fledermaus is a classic comedy, filled with mistaken and hidden identities, lovable pranksters and lots and lots of champagne.  With German arias and spoken dialogue in English, it’s quick, witty and engaging for the audience.

Katie Baughman was a standout as Adele, Eisenstein’s chambermaid, who sneaks off to the party and pretends to be a distinguished lady. In “Mein Herr Marquis, ein Mann wie Sie,” she runs into Eisenstein at the party and mocks him for thinking she is his chambermaid. Her voice is agile, resonant and sparkly, perfect for Strauss.

At the Intersection of Twitter and Art

This blog post is by Emily Schweich, a sophomore Broadcast Journalism major.

Photo courtesy of Erica Bondarev
 

On January 31, I was selected to participate in a unique arts engagement initiative here at the Clarice Smith Center – live-tweeting the world premiere of David Roussève/REALITY’s Stardust.

Art and Twitter form a curious blend of the nostalgic and millennial, the very blend that Roussève cultivates in Stardust.

Mavis Staples Brings Soul and Good Vibrations to the Center

This post is by Lisa Driscoll, a Junior Vocal Performance and Broadcast Journalism double major. You can read more of her writing on her blog.

Mavis Staples

Mavis Staples photo by Chris Strong
 

It seemed for a moment as if everyone was holding their breath. Several minutes of silence passed until a woman slowly walked out onto the stage with her cane tapping next to her and a big smile on her face. “We’ve come this evening to bring you joy, happiness and positive vibrations,” she said.

Staples’ musical journey started 63 years ago, launching her career with the family group The Staple Sisters. The music of the Staple Sisters and her solo music have shaped American culture and had particular impact during the Civil Rights Movement.

Behind the Masks

This post is by Lauren Burns, a sophomore Multiplatform Journalism and History double major.

Photo by Stan Barouh
 

The audience of the School of Theatre, Dance, and Perfomance Studies’ production of Molière Impromptu will not only be exposed to the classic comedic works of Molière, but also the Commedia dell'arte style of masked theatre. Kara Waala, an MFA Design student crafted all of the masks worn by the performers in the play. Kara talks to me about the history of Commedia dell’arte and also shares a bit about the work that goes into bringing such beautiful, communicative masks to life.

The mask design for Molière Impromptu was inspired by marrying traditional Commedia dell'arte masks with the powdered courtly facade of Versailles through makeup and paint.

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