Why "The Me Nobody Knows" Is Still Relevant Today

By Emily Schweich, junior broadcast journalism major at the University of Maryland.

The Me Nobody Knows

The Me Nobody Knows photo by Stan Barouh
 

To truly appreciate The Me Nobody Knows, one needs to understand where it came from.

The musical is based on the 1969 book The Me Nobody Knows: Children’s Voices from the Ghetto, which compiles the voices of 200 students from Harlem. Teachers encouraged these students, who were between the ages of 12 and 18, to write down their deepest thoughts, fears and concerns. The book’s editor, Stephen M. Joseph, asked his students to respond to four dimensions of their identity – how they see themselves, their neighborhoods, the world outside, and the things they can’t see or touch.

The result: A moving collection of young people’s voices that was adapted into a musical by Robert Livingston, Gary William Friedman, Will Holt and Herb Schapiro in 1970. Alvin Mayes and Scot Reese, co-directors of the School of Theatre, Dance, and Performance Studies’ production, have situated these teenagers in a church basement, in a therapy/support group of sorts.

UMD Symphony Orchestra and UMD Concert Choir Present Brahms’ German Requiem, November 14

FOR IMMEDIATE RELEASE
CONTACT: Sarah Snyder
ssnyder3@umd.edu
301.405.8151

College Park, MD— The UMD Symphony Orchestra and UMD Concert Choir, under the direction of Edward Maclary, explore the meaning of life and loss in Brahms’ German Requiem Friday, November 14 at 8pm in The Clarice Smith Performing Arts Center’s Dekelboum Concert Hall.

TDPS’ Production of Collidescope: Adventures in Pre- and Post-Racial America Contributes to National Conversation about Race Relations

FOR IMMEDIATE RELEASE
CONTACT: Sarah Snyder
ssnyder3@umd.edu
301.405.8151

College Park, MD—In response to the seemingly perpetual killings of young black men in America, internationally acclaimed auteur Ping Chong and noted director and dramaturg Talvin Wilks created Collidescope: Adventures in Pre- and Post-Racial America in collaboration with UMD School of Theatre, Dance, and Performance Studies’ graduate and undergraduate designers and performers. The show runs November 7-14 in the Kogod Theatre at The Clarice Smith Performing Arts Center and is a world premiere performance. Conversations with the cast, designers and special panelists follow performances held November 8, 11 and 13, respectively.

School of Music Professor receives Kirwan Faculty Research and Scholarship Prize

This blog post is by Emily Schweich, a broadcast journalism major.

Linda Mabbs was honored with the Kirwan Faculty Research and Scholarship Prize

Dr. Mary Ann Rankin, Senior Vice President and Provost of University of Maryland; Linda Mabbs, University of Maryland School of Music professor; Dr. Brit Kirwan, Chancellor of the University System of Maryland; Wallace Loh, President of University of Maryland, College Park
 

University of Maryland School of Music professor Linda Mabbs was honored with the Kirwan Faculty Research and Scholarship Prize at the university’s fall convocation Wednesday.

The award is one of the highest honors a faculty member can receive that recognizes research and creative ability.

“Everyone is thrilled about it, because it recognizes the school and what we do here,” Mabbs said.

Pages

Subscribe to The Clarice Smith Performing Arts Center RSS