My Life Has Been Like Water By Mark Costello
This multimedia project uses a live video loop that explores time as an architectural object; something to be controlled, built, expanded and repeated. Time as if it is poured like water: endless, flowing, emotional, momentous, pure.
untitled homage to my twenties in new york city By Kelly Colburn
By Shuping Yang, Directed by Olivia Brann
Enter the mind of a Chinese son, "the golden child," as he struggles between traditional Confucian values and Western notions of individuality. When his cousin Li Yi visits him the night before his wedding, Xiao Zhong is faced with a series of life changing decisions that will affect his family, his relationships, and his future. Is he really free? Or is he just a goldfish stuck in a bowl?
An evening of original plays by Jonelle Walker and Leticia Ridley that focus on women as victims and perpetrators of both systematic and physical violence, in the present as well as in the past.
Residency at Joe's Movement Emporium: February 6-10, 2017
Using spatial dynamics,movement and physical theatre, text, live sound, theatrical clown and improvisational play, Threshold explores moments of transition, from the simplicity of entering and exiting a space, to the profound transition from innocence to experience.
Happenstance Theater engages the audience by bringing curiosity and delight to the idea of crossing over into unknown spaces: the moving, meeting, leaping, partnering, parting, aging and dying that require us to cross the threshold.
Gatekeepers/All that you touch, You Change is immersive dance-theater that explores the roles of artists in communities as everyday gatekeepers. A gatekeeper in a social system decides which of a certain commodity – materials, goods, and information – may enter the system. The gatekeeper’s choices are a complex web of influences, preferences, motives and common values.
Join us for a pre-performance panel discussion that gives context to the Lucretia story as it relates to each panelist's field of expertise.
Women play men regularly in opera. For centuries, higher voices were equated with nobility, purity and even virility. What does this say about attitudes toward gender and the transgendered in ages past? What is our experience today in watching women play romantic male leads and heroes? Sociology, psychology and politics collide in music.
Join us to celebrate the final concert of the 2016 National Orchestral Institute + Festival!
Event information to be announced.
