RE | STORE: Edmond Dédé’s Morgiane: The most important opera never heard. • IN-PERSON

RE | STORE: Edmond Dédé’s Morgiane • IN-PERSON

In Partnership with Opera Lafayette
Friday, February 7, 2025 • 7PM

Event Attributes

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Accessibility: 

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Intermission: 
One

ABOUT THE EVENT

IN PARTNERSHIP WITH OPERA LAFAYETTE & OPERACRÉOLE

Did you know that the first complete opera by a Black American has been hidden in a single manuscript for more than 130 years? Edmond Dédé, a fourth-generation free person of color born in 1827 New Orleans, had an incredibly successful career as a conductor and composer in Bordeaux, France, writing nearly 100 critically and popularly acclaimed works for the French stage. His magnum opus, however–a four act French grand opera on themes from Ali Baba and the 40 Thieves–had yet to receive a premiere at the time of his death and languished, unrecognized, in private collections and libraries for over a century.

Opera Lafayette, with Artistic Director Designate Patrick Dupré Quigley, and in partnership with New Orleans’ OperaCréole’s Givonna Joseph (who will lead the Pre-Show Discussions), have painstakingly transcribed this monumental work and will present the long overdue world premiere of Dédé’s masterpiece, 138 years after its composition.

ABOUT OPERA LAFAYETTE

A leading interpreter of music from the 17th to the 19th centuries, Opera Lafayette performs little-known operatic gems and creates a legacy of these works through recordings. Incorporating dance, stunning costumes and intimate staging with rising star singers and musicians playing period instruments, an Opera Lafayette performance transports its audiences to an era when beauty and captivating storytelling were the order of the day. Opera Lafayette gives new life to centuries’ old compositions, supported by scholarly research that highlights both the historical context of these works and their relevance to today’s world. Through this unique combination of entertainment and education, audiences discover opera in a whole new light.

FUNDING

This performance is supported in part by the Maryland State Arts Council and The Morris and Gwendolyn Cafritz Foundation.