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Organic and collaborative: UMD School of Theatre, Dance, and Performance Studies presents Spring Awakening

This blog post is by Emily Schweich, a sophomore Broadcast Journalism major.

Spring Awakening

Spring Awakening photo by Blinkofaneye/BrightestYoungThings

 
 

Spring Awakening proves that the tumultuous experience of adolescence transcends place and time. Based on a 19th century play by Frank Wedekind, the rock musical follows a group of adolescents in a provincial village, balancing angst with optimism, and naiveté with curiosity, struggling to reconcile society’s agenda with nature’s desires. The UMD School of Theatre, Dance and Performance Studies’ production, directed by five-time Tony Award-winner Brian MacDevitt and acclaimed choreographers Sara Pearson and Patrik Widrig, explores this dichotomy between institution and nature.

Dressed in neutral-colored, flowing, loose dresses and tunics, their hair swept up into disheveled hairstyles, the Elementals were more than conventional backup dancers; they told the undercurrents of the story.

A Casual Collaboration of Legends

This blog post is by Emily Schweich, a sophomore Broadcast Journalism major.

Bobby McFerrin and Chick Corea

Left: Bobby McFerrin photo by Carol Friedman; Right: Chick Corea photo courtesy of Chick Corea Productions

The lights dimmed, and I settled into my seat – front and center in the Dekelboum Concert Hall. Executive director Marty Wollesen took the stage to welcome guests to the Clarice Smith Performing Arts Center. A curly-haired man in jeans and a hooded jacket walked down the aisle next to me. He’s late, I thought. Who would be late to a big-name concert like this? A second glance — He looks like Chick Corea. The man crossed in front of the stage and casually took a seat at the piano next to Bobby McFerrin. Wait. He IS Chick Corea.

Musicians this virtuosic don’t need to put on a show to engage an audience. When done right, the music speaks for itself.

Three women, three centuries, three continents, one room

This blog post is by Emily Schweich, a sophomore Broadcast Journalism major.

The Waiting Room

The Waiting Room photo by Dylan Singleton
 

Forgiveness from Heaven, an 18th-century Chinese woman, suffers after years of foot binding. Victoria, from 19th-century England, has hysteria. Contemporary Jersey girl Wanda has trouble with her silicone breasts. They all come together in a modern doctor’s waiting room.

Lisa Loomer’s 1994 play The Waiting Room takes place in “the past, and the present, and often both at once. New York City, England and China.” This transcendence of time and space creates a formidable challenge for set designers – how can they create a believable, authentic and versatile design?

Cohen said he hoped the set would highlight the play’s juxtaposition of the clinical and the beautiful.

Choreographers’ Showcase highlights work of emerging local choreographers

This blog post is by Emily Schweich, a sophomore Broadcast Journalism major.

Stephanie Miracle

Stephanie Miracle photo by Steven Schreiber
 

Seven choreographers – showcasing many styles of dance -- will present their work this Saturday at the 31st Annual Choreographers’ Showcase in collaboration with the Maryland-National Capital Park and Planning Commission. The showcase features solos, duets and small ensembles.

This year, five of the seven choreographers selected are current students or alums from the University of Maryland School of Theatre, Dance, and Performance Studies (TDPS). I spoke with one choreographer, third-year MFA Dance student Stephanie Miracle, about the inspiration for her work and how the showcase is important to her.

Musical Shares: David Rousseve/REALITY

David Rousseve/REALITY

Stardust photo by Valerie Oliveiro
 

David Rousseve/REALITY wlil be presenting the world premiere performances of Stardust here on January 31 and February 1. Choreographed, written and directed by David Rousseve, Stardust follows a gay African American teen as he navigates a difficult adolescence. Never seen onstage, he is present only by the unanswered, emotion-laden text messages he sends to a random number.

Stardust's sound score juxtaposes the intimate romanticism of Nat King Cole standards with the rough-edged, hip-hop inflected original music of d. Sabela Grimes. Because they have such great taste in music, we've asked David, REALITY and their collaborators to put together a playlist of their current musical obsessions. (You're welcome!)

A Timeless Message of Peace: Reflections on Benjamin Britten's War Requiem

This blog post is by Emily Schweich, a sophomore Broadcast Journalism major.

UMD Concert Choir and Baltimore Symphony Orchestra

Photo by Bill Hulseman
 

As a member of the UMD Concert Choir, I had the wonderful opportunity to celebrate Benjamin Britten’s centennial with a performance of his War Requiem with the Baltimore Symphony Orchestra and Peabody Children’s Chorus. Two and a half months of long rehearsals culminated in two performances at the Joseph Meyerhoff Symphony Hall and one at the Music Center at Strathmore. I knew that this would be the apex of my musical career so far, but I had no idea how valuable this experience would be.

Performing the War Requiem the week of Veterans Day made me realize the work’s universality; Britten’s message of peace is especially resonant today.

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