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The press has called her “the elegant American soprano Linda Mabbs, acclaimed for the excellence and versatility of her performances”. Ms. Mabbs has performed with some of the world’s leading orchestras, collaborated with esteemed conductors and presented recitals in some of the finest venues throughout the world. But when she is in her role as professor of voice for the UMD School of Music, her attention is completely on her students and preparing them for their own careers.
Jack Kay has been called a visionary for a number of reasons. He led the successful real estate management firm, Kay Management and developed thousands of homes in suburban Maryland communities like Kemp Mill Village after World War II. But perhaps his greatest pioneering work was done as a philanthropist, particularly in the performing arts.
This post is by Kate Gibson, one of our Production Coordinators.
This was my first trip to the USITT conference, and I spent a good deal wishing I had even known about it as a student. I attended this conference coming from the perspective of someone who manages theatre. This could mean a variety of things: stage management, production management, theatre management. And, there is a definitive “Management” track that is a part of the conference. Much else is geared towards the actual technical aspects of the theatre and the educational perspective. So, while my colleagues were mingling with various vendors, former colleagues, and classmates, I spent a great deal of time getting back to my roots.
How do you get to the Kennedy Center Stage? Practice, practice, practice. And it helps to be one of the lucky students who work with UMD School of Theatre, Dance, and Performance Studies professor Scot Reese.
This post is by Danny Parisi, a Sophomore English major.
In a short introduction before Chris Thile and Brad Mehldau’s performance on Friday night at the Clarice Smith Center, Director of Artistic Initiatives Paul Brohan emphasized the Center’s dedication to the art of collaboration. Taking artists with their own styles and ideas and putting them together to explore new artistic grounds is an important part of the Center’s mission. Luckily for us, when artists as talented and passionate as these two come together, the result can be magic.
Due to a football scrimmage in the nearby Capital One Field at Byrd Stadium, we expect parking in the Stadium Drive Garage and Lot 1B to be crowded on the evening of Friday, April 12, 2013.
An educator knows they’ve genuinely connected when their students create a Facebook fan page for them with over 50 members. The “Scot Reese Appreciation Society” is such a site, and is testament to the impact this dynamic professor has had on his students and colleagues.
In recognition of his outstanding contributions to the academic excellence and lives of multi-ethnic students at the University of Maryland, School of Theatre, Dance, and Performance Studies (TDPS) professor Scot Reese is being awarded the 2013 Office of Multi-ethnic Student Education Academy of Academic Excellence "Excellence in Service" medal for Outstanding Faculty.
Over the last twelve years, we've hosted many events, artists and experiences in our building.
View this slideshow for just a few of our favorite memories from the Center's history.
Theatre is alive and well in Washington, DC, and in particular at the UMD School of Theatre, Dance, and Performance Studies (TDPS). Three of TDPS’s own were lauded at the 29th annual Helen Hayes Awards celebration, one of the country’s most prestigious cultural honors which recognizes and celebrates outstanding achievement in over 80 professional theatres around Washington.
This post is by Megan Piluk, a Senior Dance and Communication double major.
I recently saw Graham Brown’s work Apple Falling, as part of the Shared MFA Dance Thesis Concert at the Clarice Smith Performing Arts Center. It almost seemed as if a play was unfolding in front my eyes.