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BASETRACK Live: Where Journalism Meets Art

This blog post is by Emily Schweich, junior broadcast journalism major.

BASETRACK Live

BASETRACK Live photo by Balazs Gardi
 

Telling the stories of war and the struggles of returning veterans can be a difficult task. Artists and journalists often fall back on cliche narratives and tropes to express the difficulties that these men and women face as they readjust to civilian life. Sometimes, some of the most important voices are left out of these stories – those of family and community members who are also touched by the perils of war.

As producer Anne Hamburger said in the conversation following the performance, AJ’s story was that of the “everyman.” His and Melissa’s experience reflected many common struggles that returning Marines and their families face.

Hearing the harmonies: Mark Padmore and Jonathan Biss delight in Clarice collaboration

This blog post is by Emily Schweich, junior broadcast journalism major.

Mark Padmore & Jonathan Biss

Mark Padmore photo by Benjamin Ealovega; Jonathan Biss Photo by Marco Borgrevve
 

My love affair with the tenor voice began in late high school. When I began seriously studying voice, I realized that not all tenors were pubescent boys who had to tip their chins to the ceiling in order to hit high notes. Since then, I’ve been hooked. A well-trained tenor voice is one of the most beautiful sounds in the world to me, and British tenor Mark Padmore delivered in his exquisite Clarice performance, a collaboration with American pianist Jonathan Biss.

It’s safe to stay that tenors are still my favorite voice part.

A concert of friends: UMD Wind Orchestra performs Baljinder Sekhon’s Double Percussion Concerto for Two Solo Percussionists and Wind Ensemble

This blog post is by Emily Schweich, a junior broadcast journalism major.

Lee Hinkle

Dr. Lee Hinkle
 

The UMD Wind Orchestra, under the direction of Dr. Michael Votta, presents its first concert of the season, featuring Baljinder Sekhon’s Double Percussion Concerto for Two Solo Percussionists and Wind Ensemble. I spoke with Dr. Lee Hinkle, percussion lecturer and director of the percussion ensemble at the UMD School of Music, who is one of the two solo percussionists. The other is his former teacher and mentor Robert McCormick.

For Hinkle, sharing the stage with his mentor is a special experience. “I really became a player under his leadership...[Bob] taught me how to appreciate what is quality music, and he taught me how to navigate the industry.”

Pointless Theatre premieres puppet spectacles through residency with The Clarice and Joe’s Movement Emporium

This blog post is by Emily Schweich, a junior broadcast journalism major at the University of Maryland.

Pointless Theatre

Pointless Theatre
 

One might think that puppets are just for kids. Not so. Pointless Theatre, a D.C. company founded by UMD School of Theatre, Dance, and Performance Studies (TDPS) alumni, blends puppetry, theatre, dance, live music and visual art to create unique onstage spectacles for adult audiences.

From October 9 to October 13, Pointless Theatre is in residence at Joe’s Movement Emporium in Mt. Rainier to rehearse for and polish their performances for a showing Saturday, October 11 at 7PM. Pointless Theatre will perform two original twenty-minute pieces, Famous Birds and Nom-noms, followed by a conversation that will allow audience members to share their thoughts and feelings about the work.

“This residency has allowed us to reinvest in our company members, build skills they haven’t had before, and give them the opportunity to flex their directing muscles or design muscles in a low-risk environment,” Whalen said.

Photo Gallery: PEARSONWIDRIG DANCETHEATER's A Curious Invasion/Governors Island

If you came to the NextNOW Fest, you might have seen PEARSONWIDRIG DANCETHEATER’s performance of A Curious Invasion on the steps of our staircase. Here are some photos from their performance of A Curious Invasion/Governors Island in the New York harbor in June 2014:

A Curious Invasion

PEARSONWIDRIG DANCETHEATER photo by Justin Cordua

A Costume's Second Life

This post is written by Monica Warren, Artist Services Coordinator at The Clarice. What happens to a costume after the show is over? Does it go into retirement? Are there old tutus playing shuffle-board with once worn opera gowns? Do they participate in early morning water aerobics and take fun bus trips to Atlantic City? As fabulous as that sounds, in some cases, they just go back to work. At The Clarice Smith Performing Arts Center, the Costume Shop holds a host of beautifully crafted and interestingly procured costumes. Recently, some of them were reincarnated by alight dance theater, a local dance company in Greenbelt, MD that was founded by several University of Maryland alumnae.

TDPS Faculty to Lead Latin American Studies Center

Laurie Frederik Meer

Laurie Frederik Meer
 

Dr. Laurie Frederik, associate professor in the University of Maryland School of Theatre, Dance, and Performance Studies and a faculty member in the Department of Anthropology, has been appointed director of the Latin American Studies Center. In addition to her current teaching positions, Frederik will oversee the undergraduate certificate program and activities that give Maryland students access to campus resources about Latin America.

UMD Dance Faculty Creates Nearby Site-Specific Performance

Placeholders

Placeholders photo by Ronit Eisenbach
 

Two University of Maryland faculty recently explored the connection between art and everyday life in Placeholders, a site-specific dance performance and art installation held Saturday, September 13 in the Long Branch neighborhood of Silver Spring.

“Placeholders has been a unique opportunity for me to sink my teeth into a creative process in a neighborhood that’s close to where I both live and work.”

TDPS Grad Student Screens Documentary Short at IFTR World Congress

Video by Adam Nixon
 

School of Theatre, Dance, and Performance Studies doctoral candidate Adam Nixon recently returned from the University of Warwick, England, where he presented a documentary short at the International Federation for Theatre Research (IFTR) World Congress, held July 28 to August 1.

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