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Audition for the 33rd Annual Choreographers Showcase!

Choreographers Showcase

Zvi Gotheiner photo by Andrea Mohin; Leah Cox photo by Jim Urquhart
 

Auditions for the 33rd Annual Choreographers Showcase are open to all dance-makers, aged 18 years and older, who live in Maryland, Virginia or the District of Columbia. Live auditions will be adjudicated by our expert panelists, Leah Cox and Zvi Gotheiner. Six finalists will be selected to receive an honorarium of $800 and present their work in concert on Saturday, February 6, 2016. There is no fee to audition.

Auditions will be held in the Dance Theatre at The Clarice on December 5 & 6, 2015, from 10AM to 6PM each day. Auditions are by appointment only. To schedule an audition, apply here. The deadline to apply is November 30, 2015.

Submit your NextNOW Fest 2015 project or idea!

We are beginning the planning process for NextNOW Fest 2015. The Fest will take place September 9-12, 2015, in and around The Clarice Smith Performing Arts Center.

NextNOW Fest is a four-day, multi-­arts festival, co-­presented by all partners of The Clarice. NextNOW Fest invites students, alumni and our "Creative Radius" neighbors into our incredible artistic community for four days of artful, participatory and surprising events.

SHARPening Skills: School of Music students volunteer with after-school music program

This blog post is by Emily Schweich, junior broadcast journalism major.

SHARP

Photo by Robert DiLutis
 

Once a week, University of Maryland School of Music students visit William Wirt Middle School in Riverdale. But these visits aren’t required for class.

“Students become better students when they’re involved in the arts, and that’s been proven time and time again.”

Finding beauty in discomfort: Taylor Mac pushes boundaries with historical program at The Clarice

This blog post is by Emily Schweich, junior broadcast journalism major.

Taylor Mac

Taylor Mac photo by Xanthe Elbrick
 

Taylor Mac strutted on stage in sparkly heels, clad in a shimmery gold tunic with a tulle bustle, an asymmetrical military-style jacket, a rainbow boa and a headdress reminiscent of the Statue of Liberty.

It wasn’t long before Mac singled out audience members to join in onstage. “There’s no forcing, just missed opportunities,” Mac said with a wink, although nobody said no to the invitation.

With each song, judy “let go” of a 20th century value or principle that judy felt was no longer serving us – from the patriarchy to the “oppressive nature of fantasy” to commercialization.

Tia Fuller explores strength and vulnerability in performance

This blog post is by Lauren Burns, a junior journalism and history double major.

Tia Fuller

Tia Fuller photo by Keith Major
 

Tia Fuller’s performance at The Clarice Smith Performing Arts Center on April 9 had a specific focus: the Angelic Warrior. At the performance’s start, a recording described the term. Angels are “peaceful, humble insightful and remain connected to the all mightyful,” while warriors are “always maintaining strength, [they] move in faith and not fear.” At the end of the intro recording, Fuller entered the Kogod Theatre playing her saxophone and joined the rest of her band.

Fuller ended the concert with the title track from her latest album, Angelic Warrior. She urged the audience to maintain balance between the angel and warrior within and to thank those who helped get them there.

TDPS alumnae to perform solo shows in B-FLY BACKSTAGE series

This blog post is by Emily Schweich, junior broadcast journalism major.

B-FLY BACKSTAGE

Clockwise from left: Caroline Clay, Paige Hernandez, Jjana Valentiner and Anu Yadav; Photos by Kris Funn
 

Three University of Maryland School of Theatre, Dance, and Performance Studies alumnae – Paige Hernandez (BA Theatre Performance ’02), Anu Yadav (MFA Theatre Performance ’13) and Caroline Clay (MFA Theatre Performance ’13) will perform excerpts from their solo shows at B-FLY BACKSTAGE: Diverse Solo Shows for Women this Saturday, April 18 at Atlas Performing Arts Center.

“I think that putting our work out there and showing what we think…how we do what we do is really taking a stance for all women and girls to be able to show their mind as well.”

TDPS alum gives gallery talk at Smithsonian American Art Museum

This blog post is by Emily Schweich, junior broadcast journalism major.

Deb Sivigny

Deb Sivigny photo by Daniel Corey
 

UMD School of Theatre, Dance, and Performance Studies alumna Deb Sivigny (MFA Costume Design ’04) gave a gallery talk at the Luce Foundation Center for American Art at the Smithsonian American Art Museum on March 21. Her talk, part of the Luce Local Artists Series, highlighted the link between costume design and the fine arts.

“The simple act of putting together an outfit is a very deliberate task, just as putting together these collages is a very deliberate task on these jars.”

Keith Hamilton Cobb performs American Moor

Keith Hamilton Cobb

Keith Hamilton Cobb
 

American Moor

A play written and performed by Keith Hamilton Cobb

Presented by the Office of Diversity and Inclusion, in partnership with The Clarice

Tuesday, April 7, 2015 . 5PM
[Multi-purpose Room at Nyumburu Cultural Center

American Moor is a 90-minute solo play written and performed by Keith Hamilton Cobb. The play examines the experience and perspective of black men in America through the metaphor of William Shakespeare’s character, Othello. American Moor is not an “angry black man play,” but rather a play that addresses race in America, the nature of unadulterated love, privilege and American theatre.

What's Now: April/May/June 2015

UMD School of Theatre, Dance, and Performance Studies
Second Season Gives Theatre Students First-Hand Entrepreneural Theatre Experience

School of Theatre, Dance, and Performance Studies (TDPS) wanted a special kind of experience — one that replicates the entrepreneurial lifestyle of professional performing artists and provides them with the challenges and joys of creating and staging their own production.

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