New Directions - IN-PERSON

New Directions - IN-PERSON

Friday, June 25, 2021 . 7PM EDT
Photo by Geoff Sheil
Special Announcement: 

You are viewing information to purchase in-person tickets.

To purchase digital access to the concert livestream, please click here.

Event Attributes

Presented By

Presented By: 
Accessibility: 

For more information regarding accessible accommodations, please click here.

NOI+F’s first cohort of Conducting Fellows takes the lead on the podium in this performance of works written by our inaugural Composition Fellows. Hosted by Music Director Marin Alsop, in this event you will hear two different interpretations of each piece–each showcasing a different Conducting Fellow. You will also hear from each Composition Fellow about their work. Be sure to also join us at the end of our performance for a dynamic conversation moderated by Marin and guest composer Mason Bates.

The National Orchestral Institute + Festival, a program of the University of Maryland’s Clarice Smith Performing Arts Center, trains aspiring orchestral musicians, composers, conductors and arts administrators from across the country in a month of dynamic music-making and professional exploration at The Clarice Smith Performing Arts Center. Musicians are chosen through a rigorous, cross-country audition process. Every year, these young artists present passionate and awe-inspiring performances of adventuresome repertoire at The Clarice Smith Performing Arts Center.

Click here to view Event Guide.

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Program:

Andrew Rodriguez: Observer

Tyler Taylor: Just Dreams

Chelsea Komschlies: Cauda Pavonis

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HEALTH + SAFETY

To safeguard your health when attending the Festival in person, you will see the following changes during concerts:

  • Mandatory mask wearing for all patrons and staff

  • Socially distant seating pods of up to 4 patrons
  • Extended intermission for added air circulation
  • A mostly paperless experience to reduce contact at the venue

Learn more about The Clarice’s 4Maryland health and safety modifications.

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